Adeline Mueller

she/her

  • Associate Professor of Music
Adeline Mueller

Adeline Mueller is a music historian specializing in Mozart and eighteenth-century vocal and theatrical music, particularly in German-speaking Europe. Her research interests include music and childhood, marginalized composers, early musical ethnography, and silent film music. She has published articles in the journals , , and . Mueller also contributed chapters to the edited volumes Mozart in Context (Cambridge, 2019), The Works of Monsieur Noverre Translated from the French: Noverre, His Circle, and the English Lettres sur la danse (Pendragon, 2015), and Wagner and Cinema (Indiana, 2010).

Mueller's book, , examines Mozart’s role in the social and cultural construction of childhood during the Austrian Enlightenment, using evidence from his early career, his compositions for the young, early biographies, and posthumous (including spurious) music prints. She is also contributing chapters to the forthcoming Cambridge Companion to The Magic Flute and Cambridge History of German Opera to 1820. Her current book project, Touching Melodies: Music, Print, and Blind Education in German-Speaking Europe, 1780-1840, argues for the centrality of music and music education in the numerous institutes for the blind founded in the decades before Braille, especially Vienna and Berlin. These institutes, their music curricula and performances, and the tools and media through which their music was circulated, constituted a turning point in the cultural history of disability and special education in Europe.

Mueller has presented papers at such conferences as the American Musicological Society, the Mozart Society of America, and the American and British Societies for Eighteenth-Century Studies. Previous academic appointments include Brown University (Visiting Assistant Professor, 2014-15) and New College, University of Oxford (Weston Junior Research Fellow in Music, 2011-14).

In her research and in courses such as History of Western Music, Shakespeare and Music, Music and ChildhoodWomen and Music: Sounding Community, and Race in the American Musical, Mueller and her students consider how music circulates among performers, consumers, and audiences, especially through print, and on musical practices as sites of social reflection and experimentation.

Education

  • Ph.D., University of California, Berkeley
  • M.A., University of Sussex

Happening at ý

Recent Campus News

Members of the Mount Holyoke faculty are playing a key role in the Pioneer Valley Symphony’s new look at women composers.

Recent Publications

Mueller, A. (2025). Editorial: When Disability and Music Met Maker Culture: The Long(er) History of Accessible Music Notation. Eighteenth-Century Music, 22(1), 5-13. doi:10.1017/S147857062400040X

Mueller, A. (2024). 'Living Marionettes': The Berner Children's Troupe and Its Performers. In Matthias J. Pernerstorfer, ed., Ein Modell für Mozart: Das Serail von Joseph Friebert (pp. 427-460). Hollitzer Verlag.

Mueller, A. (2023). Blackness and whiteness in The Magic Flute: Reflections from Shakespeare studies. In Jessica Waldoff, ed., The Cambridge Companion to The Magic Flute (pp. 252-272). Cambridge University Press.

Mueller, A. (2021). Roses Strewn Upon the Path: Rehearsing Familial Devotion in Late Eighteenth-Century German Songs for Parents and Children. Frontiers in Communication (Research Topic: "Songs and Signs: Interdisciplinary Perspectives on Cultural Transmission and Inheritance in Human and Nonhuman Animals"). Retrieved from:

Mueller, A. (2021). Mozart and the Mediation of Childhood. University of Chicago Press.

Recent Awards

Mozart and the Mediation of Childhood was awarded a 2020 publication subvention by the .

Recent Honors

Adeline Mueller (Music) co-organized and hosted a bicentenary symposium on the blind Viennese pianist, composer and educator Maria Theresia Paradis (1759-1824), entitled "Reframing the Gaze: Maria Theresia Paradis, Blind Musicians, and Musical Culture Before and After Braille" (November 22-23, 2024 - see ). The hybrid symposium included two keynote speakers and thirteen panelists from across North America and Europe, as well as three music concerts, featuring faculty performers Sherezade Panthaki (voice), Allison Monroe (violin), Sandra Dennis (piano), Adrianne Greenbaum (flute), Larry Schipull (Emeritus, piano), Jiayan Sun (Smith, piano), several student soloists, and the Mount Holyoke College Chamber Singers and Symphony Orchestra, culminating in the modern-day world premiere of a recently rediscovered cantata by Paradis. The symposium was accompanied by a hands-on, accessible exhibition of archival texts, images and tools related to blind musicians and music education of the blind -- including a modern-day replica of a composing board invented for Paradis, designed and built by Luke Jaeger and colleagues in the Fimbel Maker and Innovation Lab. Student research assistant Siggy Ehrlich '26 prepared object labels for the exhibition, a timeline of significant events in Paradis's life, and a map of her European tour.

Mueller, Adeline presented her paper “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind” at the Annual Meeting of the American Musicological Society in 2023. She shared tactile replicas of one of the Institute's experimental notation systems, prepared by Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab).

Mueller, A. Presented “The Impossible Oratorio: Rejection, Refusal, and Blind Agency on the Eighteenth-century Stage” at the Annual Meeting of the American Society for Eighteenth-Century Studies (St. Louis MO, March 2023).

Mueller, A. Presented “Persuasive Performance: The Rhetoric of Blind Students' Concerts in Vienna, 1808-1824” at conference “” (Ira F. Brilliant Center for Beethoven Studies, San Jose CA, February 2023).

Adeline Mueller (Music) gave an invited lecture in the Musicology Colloquia series at the Peabody Institute of the Johns Hopkins University, entitled “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind, ca. 1819” (November 8). Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab) prepared three-dimensional replicas of an experimental music notation system illustrated in one of Mueller's nineteenth-century sources; these were shared with the audience at the lecture.

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