Nona Monahin (B. Mus., Ph.D. in musicology) teaches Renaissance and Baroque dance in the Five College Early Music Program. A scholar-practitioner, she has presented lectures and workshops on music and dance in Australia, Europe, and North America, including at conferences of the Dance Studies Association, American and International Musicological societies, and American and International Shakespeare associations, and has published with Medieval Institute Publications, University of Georgia, and Oxford University Press. Nona has directed dance ensembles and created choreographies for many Shakespeare plays and other theatre productions. In addition to historical dance Nona鈥檚 background includes ballet, modern, Duncan, and Russian folk dance. Her current research explores relationships between music and dance in 20th and 21st-century choreography, and she also enjoys choreographing dances in a free (non-historical) style. Nona is fluent in Russian and German.
Recent Publications
Monahin, N. (2024) 鈥淣egotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare鈥檚 Plays.鈥 In The Ball: Pleasure, Power, Politics, 1600鈥1900. 5th Historical Dance Symposium, Burg Rothenfels am Main, 15-19 June, 2022, Germany. Conference Proceedings, edited by Uwe Schlotterm眉ller and Howard Weiner, June 2022. Posted (Nov 2024 ) on Shakespeare and Dance Project website: https://shakespeareandance.com/articles/negotiating-text-and-movement/
Recent Honors
Monahin, Nona & Pash, Meg. (2024, February 22). The Interdependence of Music and Dance in 16th-century Renaissance Dance Reconstruction. Early Dance Symposium 2024 - virtual conference hosted by the University of Pennsylvania and the Dance Studies Association鈥檚 Early Dance Working Group.